KSh 129,999.00
Evolution of an Icon. The Sigma 24-70mm f/2.8 DG DN II Art is the ultimate standard zoom for Sony E-mount users. By integrating a new High-response Linear Actuator (HLA), this Mark II version achieves significantly faster autofocus than its predecessor. Additionally, it boasts a lighter, more compact body and an added aperture ring for professional tactile control. Whether you are shooting weddings in Nairobi or a commercial in the Rift Valley, this lens delivers unmatched resolution and versatility.
Professional photographers in Kenya require gear that balances power with portability. Consequently, the Sigma 24-70mm f2.8 DG DN II Art Sony E has arrived to set a new benchmark. Camera Stuff Kenya is thrilled to stock this successor to one of the most popular lenses in mirrorless history. By refining the optics and the mechanical design, Sigma has created a lens that is both smaller and more powerful than the original.
Crucially, this lens is part of the “Art” line. This means that optical quality was the primary focus during development. However, modern creators also need speed. Therefore, this Mark II version introduces the HLA motor system, ensuring you never miss a critical moment during high-speed action.
The most significant internal upgrade is the High-response Linear Actuator (HLA). Previously, standard motors could sometimes lag during fast-paced video tracking. In contrast, the HLA motor drives the lens elements with extreme thrust and precision.
As a result, the autofocus is not only faster but also significantly quieter. This makes it an ideal choice for videographers who use external mics like the Zoom H1n, as the lens will not introduce mechanical noise into your audio. Furthermore, the tracking remains incredibly sticky, even when shooting at the edge of the frame.
The bright f/2.8 constant aperture is a game-changer for photography in challenging light. Whether you are in a dimly lit studio or capturing the Nairobi skyline at dusk, this lens allows plenty of light to hit your sensor.
Sigma listened to the feedback from the local camera shop community. Consequently, they added a dedicated physical aperture ring. You can now adjust your iris directly on the lens barrel, which offers a more traditional, tactile feel.
Moreover, the lens includes an aperture click switch. This allows photographers to feel the clicks, while videographers can “de-click” the ring for silent, smooth aperture transitions. Additionally, two customizable AFL buttons give you instant access to your favorite camera settings.
We understand that Kenyan shoots can be demanding. Therefore, this lens features a dust and splash-resistant design. Despite its rugged build, Sigma successfully reduced the weight by approximately 10%. This makes it a much better fit for long handheld sessions or for use on travel-ready tripods.
Pro Tip: Always protect your investment. Since the Sigma 24-70mm f2.8 DG DN II Art Sony E is a versatile everyday lens, we suggest pairing it with a high-quality UV filter from our Digital Cameras Archives – Cameras Stuff Kenya section.
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Contributing to smooth and intuitive handling, a ring-type USM and internal focusing design offers quick, quiet, and accurate autofocus performance along with full-time manual focus override. In regard to its optical assets, one ultra-low dispersion element is featured, to control color fringing and chromatic aberrations, and a Super Spectra coating has been applied to suppress flare and ghosting for improved contrast and color fidelity. Additionally, as an L-series lens, this 100mm f/2.8 is weather-sealed for working in inclement conditions.
Primarily designed for close-up shooting, the EF 100mm f/2.8L Macro IS USM from Canon is a versatile L-series short telephoto prime that is also well-suited for portraiture and other mid-range subjects. As a macro lens, however, this 100mm offers a life-size, 1:1 maximum magnification and an 11.8″ minimum focusing distance. Complementing close-up shooting, an Image Stabilizer is featured that minimizes camera shake by two stops at full 1:1 magnification, or up to four stops at lower magnifications for sharper handheld shooting.
Fast and compact, the Sony FE 35mm f/1.8 mixes a versatile wide-angle focal length with a bright design and a sleek form factor. As a wide-angle, this lens excels in a variety of situations, from street shooting to landscapes to travel, and the f/1.8 maximum aperture suits working in available lighting and benefits controlling depth of field.
A Super Spectra coating has also been applied, which helps to minimize lens flare and ghosting for improved contrast and color fidelity in bright lighting conditions. Additionally, benefitting both photo and video applications, an STM stepping AF motor is used to realize quick, accurate, and near-silent autofocus performance. Recognizable by its truly thin profile, along with an advanced autofocus motor, the EF-S 24mm f/2.8 STM from Canon is a 38.4mm-equivalent prime designed for APS-C-format DSLRs. Its optical design features one aspherical element, which helps to reduce distortion and spherical aberrations for high sharpness and clarity.
Poised to be the new workhorse zoom, the Canon RF 24-70mm f/2.8 L IS USM is a versatile wide-angle to portrait-length lens characterized by its bright, advanced, and intuitive design. The constant f/2.8 maximum aperture suits working in difficult lighting conditions and also enables greater control over depth of field. The optical design incorporates a series of aspherical and Ultra-Low Dispersion elements, which greatly reduce a variety of aberrations throughout the zoom range in order to produce sharp and clear imagery. An Air Sphere Coating has also been applied to suppress flare and ghosting when working in strong lighting conditions.
An advanced one-lens solution, the EF 24-105mm f/4L IS II USM is a Canon L-series zoom covering wide-angle to short-telephoto focal lengths and featuring a constant f/4 maximum aperture. The version II of this popular lens sports a redeveloped optical design, which includes four aspherical elements to significantly reduce distortion and spherical aberrations throughout the zoom range for great sharpness and accurate subject rendering. Individual elements feature an Air Sphere Coating, too, to suppress flare and ghosting for greater contrast and color accuracy in harsh lighting conditions.
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